BIOGRAPHY
As lover of unexplored space , border crossing sounds, Giuseppe focuses his research on the baritone saxophone, aiming to explore a vocabulary that goes through his background in contemporary classical music , jazz improvisation and his interest for non-western music.
Giuseppe (1987) was born in Barletta, a very old town on the Adriatic coast of Puglia, Italy.
He began studying classical saxophone at the “N. Piccinni” Conservatory in Bari, where he graduated in 2009.
In 2011 he obtained “Master on Saxophone” in classical contemporary music, as soloist at the “N.Rota” Conservatory in Monopoli.
In 2012 he moved in Holland to study jazz, at Prins Claus Conservatory in Groningen, with Michael Moore, Miguel Martinez, Kurt Weiss, Steve Altenberg, David Berkman, Robin Eubanks, Alex Sipiagin, Freddie Bryant, where he graduated Cum Laude in 2015.
In 2015 he recorded a solo piece for the dutch dancer and choreographer Cora Bos-Kroese titled “Two ways towards”, that was played and performed at the New York University (NYC).
He can be seen among his current projects as Solo, Falga, AVA, Michael Moore Bigtet, All Ellington, XP7.
He has been giving music workshops in several spaces and institutions in Europe together with the Conservatorium van Amsterdam, Stedelijke Muziekschool (The Netherlands), Arkestra Lab foundation (Italy), Marmara University of Arts (Turkey).
He has worked with creative artists covering various fields of the national and international art including:
Michael Moore, Joe Lovano, Chris Potter, Mariem Hassan, Vince Mendoza,Han Bennink, NDR Big Band, João Bosco, Kiko Freitas, Robin Eubanks, Paolo Fresu, Tullio De Piscopo, Taylor Ho Bynum, Steve Potts,Roberto Ottaviano,Ralph Alessi,Gianni Lenoci, Tiziana Ghiglioni, Felice Mezzina,Lothar Sthal, Jens Pollheide, Irene Aebi Lacy, Tiziano Tononi, Daniele Cavallanti, Carlo Actis Dato, Don Braden, Jim Black.
“… huge sonore sound; his performance is mystic, multilayered and full of secrecy” (W.de Joode)
“… clear example of reincarneyation” (Duke’s day, Bimhuis)
“…the most extreme soloist of the bunch with his search along the borders of the baritone, slap tongue-harmonic effects to downpours” (draaiomjeoren.com)
“… such dynamics! such power! such swing!” (E.Determeyer)
“… Doronzo holds a brilliant argument for the baritone sax as a leading instrument.” (Trouw)
